November 2004: Kim Libreri

Part 1: 
From Manchester U to the Academy Awards

Part 2:
Enter the Matrix

Part 3:
IRIDAS Joins the Team

Part 4:
Raising the Bar in VFX

Part 5:
SpeedGrade is Born

Part 6:
Kim Libreri's Filmography

 

Back to intro page

IRIDAS Joins the Team

The relationship between Kim Libreri and IRIDAS dates back to 2001. It began with Kim’s search for a good flipbook application so that his artists could have easy access to their work while it was in progress. “Our philosophy was that our time was too valuable to spend writing software if applications that were as good, or better were available for purchase. When Oystein Larsen, one of our artists, discovered FrameCycler, we knew we’d found what we needed. It loaded frames immediately, it was easy to use, and it offered a loads of playback controls.”

By the end of the trilogy, the world of the Matrix with its greenish hues and falling rain begins to resemble the computer screens in the film.

But FrameCycler Professional was missing one thing that Kim really wanted. “I met Lin [Kayser, IRIDAS CEO] at SIGGRAPH in 2001 and asked him if FrameCycler could play directly from disk,” recalls Kim. “We wanted to play longer sequences, and even do full dailies digitally at 2K resolution without being limited to only playing shots that could fit into RAM. Lin said it should be possible. I told him it would be even better if we could also load playlists from the Avid and Lin said he’d been thinking about that possibility himself.” 

The result of this exchange -- after a lot of work and several more conversations -- was FrameCycler Digital Daily System. The new application was used throughout the making of the Matrix sequels and Catwoman. “We used it to view playlists, compare versions, and so on, all the time with the director there asking us to try this or have another look at that etc. We got many compliments on our daily system. The [Wachowski] brothers called it the best they’d seen.”

 

In the "Burly Brawl"  Kim and and his team used 'virtual stuntmen' for much of the action. "They're less prone to injury," laughs Kim.

Click on image to see 
complete version

 

 

FrameCycler DDS was used for all the review sessions in the Matrix sequels.

Next: Raising the Bar in VFX

 

Return to www.iridas.com

Copyright (c) 2004 by IRIDAS - IRIDAS and FrameCycler are registered trademarks of IRIDAS, Germany - All rights reserved.
Impressum